Ma mère rit. Chantal Akerman’s shorts explore interiors — the psychological interiors of people, and the spatial interiors of places. Saute ma Ville Directed by Chantal Akerman. Her first film, 'Saute Ma Ville' (Blow Up My City), was a 13-minute black-and-white short that she made at age 18. Revisiting the filmmaker's rebellious female gaze, from 'Saute ma ville' to 'No Home Movie' I never had a sense of nationalistic pride, but for Chantal Akerman I can make an exception. Melding live music with Chantal Akerman’s written words and her short film “Blow Up My City” (“Saute ma ville“), ... A close collaborator of Chantal Akerman, Stanislas Merhar starred in her films The Captive (2000) and Almayer’s Folly (2011). A Couch in New York Chantal Akerman, 1996. RELATED TOPICS. Her mother, Natalia (Nelly), was the only member of her family to survive Auschwitz. She funded her first film, Saute ma ville… Video Art; Chantal Akerman; Art; More to Love. Film Stills Vol. Chantal Akerman’s decision to become a film-maker was sparked by seeing Jean-Luc Godard’s Pierrot le Fou, 1965. The fact that Mona does not have a home, nor the necessary role of keeping someone else’s home, she is not following cultural or societal expectations. Akerman blev intresserad av att göra film när hon femton år gammal såg Jean-Luc Godard’s Pierrot le fou. Play. Editors. Chantal Akerman (writer and director) Saute ma ville / 1968 What is amazing about Chantal Akerman’s first film from 1968, Saute ma ville (which I’ll translate as Burn Down My Town ), is that she was only 18 at the time of its creation. She partially subsidized her short film by trading diamond shares on the Antwerp stock exchange. Akerman claimed that, at the age of 15, after viewing Jean-Luc Godard's Pierrot le fou (1965), she decided, that same night, to become a filmmaker. Ma mère rit. Chantal Akerman by Chantal Akerman Chantal Akerman, 1997. In 1971, Akerman's first short film, Saute ma ville, premiered at the International Short Film Festival Oberhausen. At 18, she entered the Institut National Supérieur des Arts du Spectacle et des Techniques de Diffusion, a Belgian film school. Since her beginnings as a teenage filmmaker—see her short “Saute Ma Ville” on Criterion’s DVD of her landmark 1975 film Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles—Akerman has had a heedlessly individual voice, disregarding structural and sexual barriers with a combination of youthful energy and preternatural insight. Down There Chantal Akerman, 2006. Saute ma ville — which can be seen as a precursor to Jeanne Dielman — follows a young woman (played by Akerman) as she frantically moves through her apartment, completing her domestic tasks in what amounts to an emotional downward spiral. A yearning for the ordinary as well as the everyday runs through Chantal Akerman’s work like a recurring, plaintive refrain. Narrator. Screened in 35mm. Merhar was discovered by Dominique Besnehard in 1996 during an open casting call. One of the boldest cinematic visionaries of the past half century, Chantal Akerman—who would have turned seventy this June—took a profoundly personal, aesthetically radical approach to the form, using it to investigate geography and identity, space and time, sexuality and alienation. However, the aspect of the drifter, or the vagabond plays an interesting theme. After briefly attending the Belgian Institut National Supérieur des Arts du Spectacle et des Techniques de Diffusion, Akerman made her first film aged 18 ; Saute ma ville/ Blow Up My Town premiered at the renowned Oberhausen short film festival in 1971. Chantal Akerman by Chantal Akerman Chantal Akerman, 1997. Saute ma ville (1968) In her blackly comic debut , Akerman plays a ‘Chaplinesque’ loner, shuffling through domestic mishaps in a fugue state. Author: Chantal Akerman. ... she made the black-and-white short Saute Ma Ville… For most film audiences, the name Chantal Akerman is synonymous with that of Jeanne Dielman, ... Saute ma ville, and lived briefly in New York. December 1, 2017. Akerman studied filmmaking in Brussels but, finding it too didactic, left after a term. Saute ma ville , or Blow Up My Town , is Akerman’s first film, an absurdist French New Wave-inspired “day in the life” vignette about a young woman in her kitchen. Chantal Akerman’s Jeanne Dielman and Saute ma ville are both depictions of a woman’s work in the home, but portray two women who approach domestic tasks very differently. The film shows her singing and dancing about her kitchen, then leaning her head on gas-lit burners before the screen goes dark and the room explodes. It was a short comical fragment about distraction and suicide called Saute Ma Ville (1968). This was best shown in Chantal Akerman’s Je Tu Il Elle and Saute Ma Ville. Chantal Akerman's 1968 short film Saute ma ville directly reflects our current state, serving as a meditative text on the art of staying home. Following Akerman herself running up to her flat, the film then shows her gradually making a mess of the kitchen into which she has locked herself,… The mother, Jeanne Dielman, performs sex work for male clients daily for her and her son’s subsistence. They talk about coming of age, from the “tragicomic burlesque” of her first film, Saute ma ville (Blow Up My City, 1968), and the early sexual questioning of Je tu il elle (1974), both of which feature Akerman as the young woman in question, to later versions of same … During her first term and after only 3 months, however, Akerman chose to leave and make Saute ma ville (1968), a 13-minute black-and-white short in 35mm. 04 – Saute ma ville, 1968 — Charlotte Akerman In 1968 Chantal Akerman inaugurates her oeuvre by blowing up her small kitchen. 1968 ‘Saute ma ville’ Directed by Chantal Akerman Synopsis A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along. Owen Gwynne Vince. 1968, när hon var arton år, var det premiär för hennes första film, kortfilmen Saute ma ville. Hon var helt självlärd. From the Other Side Chantal Akerman, 2002. 07:40. 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